Train of Thought

Catherine sighed as she looked out the window, watching the trees speed by, a broken film reel that would never stop flipping. Mom was so wrong, she thought. Train rides aren’t exciting or adventurous. They’re boring. Not even the name of the train she took, the Zephyr, could add excitement to the never-ending sea of trees, rocks, and grass.

The train banked a sharp curve, revealing miles and miles of plains beyond the trees, an even more generic view. As the car shifted, so did something on the floor near her feet. She bent to examine the paper-wrapped package that bumped into her.

For Catherine Morrow. Open only when alone.

The script on the label reminded Catherine of the fancy calligraphy she’d seen on her cousin’s wedding invitations, though the ink was brown and faded, not bright and thick. The paper wrapping was stiff against her fingertips, and it had suffered water damage at some point, though the wrapping had long since dried.

Oh, great, she thought as she looked around the car for the potential messenger. Mom’s trying to hook me up again. I bet the guy’s watching to see if I’m swept away by this grand romantic gesture. The train car was packed with bodies, but none seemed interested in Catherine or her package. Noses were buried in books or newspapers or tablets, with the exception of a few small children whose excitement at riding a train for the first time could not be contained. They scrambled from window to window, announcing every cow or coyote they saw.

Well, if I open it here the kids will descend and demand to see what’s in it–and if I know Mom, there’s no telling what kind of potential “suitor” she shanghaied into this. I could be opening a box of chocolates or a box of vibrators. Better to open it back in my room on the sleeper car.

She stood and tucked the box under her arm. Shadows flickered in the train car as it sped past another copse of trees. With those shadows came a flash of recognition. Something about this train ride was familiar, though Catherine was as new to train travel as the kids that bounded down the aisle in front of her.

She glanced down to sidestep a child and bumped into a man who hadn’t been standing in front of her moments before. A quick look revealed him to be dressed in strange attire, something more at home in an old Western than in modern-day couture. He tipped his wide-brimmed hat, which cast a shadow over his face, and cleared his throat.

“My good lady, I see that you have found my package. If you would ever-so-kindly return it, I might offer you a reward.”

What the hell is Mom up to? This guy looks more like part of the dinner show than a possible date. “Your package?”

White teeth flashed in the shadow. “Why, yes, ma’am. Right there under your arm. I dropped it earlier and it slid clear down the car.”

Something inside Catherine’s gut screamed at her to back away, to keep the package safe until she could open it. She plastered a polite smile on her face. “I’m so sorry, sir, but you must be mistaken. This package is for me. It’s got my name on it.”

“And what might your name be, ma’am?”

Warning bells sounded in her head, warring with the screaming from her gut. Wherever Mom found this guy, it was the wrong dating site. He’s bad news, I just know it. “Sorry–I’m sure you’re nice and all, but I’m not giving my name to some random guy on the train. Now, if you’ll excuse me, I think I need a nap.” She hesitated for a split second. “Besides, my boyfriend’s waiting for me in the car.”

The shadowed grin widened, and he tipped his hat again. “My apologies, ma’am. I shall look around for my package.” He paused. “Perhaps I dropped it in another car…”

With that he turned and headed towards the sleeper cars. Catherine’s heart pounded in her chest.

Shit! What do I do now? He’s going the same direction I am; if he sees me go into my room alone, he’ll probably break in and attack me or something. Damnit, Mom, why do you have to go meddling? I’m perfectly happy waiting for Mister Right to come to me of his own accord, thank you very much. Now I’ve got a stalker on this train, and it’ll be tomorrow before we get to Chicago.

The man disappeared through the door between cars and slammed it shut behind him. Catherine jumped, and for a moment the door looked more like split wood than smooth metal.

A tug at her sleeve drew her attention down to one of the children, a small girl. She was dressed in a ruffled floral-print dress, and her golden hair was neatly woven into tight pigtail braids with ribbons on the ends. “Hey miss, is that a present?”

Catherine knelt down to be closer to eye level with the girl. “Yes. But I can’t open it here. It’s a secret.”

The girl’s brow wrinkled, and a frown marred her pretty face. “That’s a stupid present.” She whirled around and skipped down the aisle.

When Catherine stood back up, the door was back to its metal state. Geez, I’m going crazy. She inched closer to the door and peered through the glass-paned window. Though the sleeper car was dark, she could see that the strange man was nowhere in sight.

She slid the door open and slipped through. Tucking the package under her arm, she dug through her purse for a lighter. Once she found her trusty Bic, she flicked the little red tab and it burst into flame, illuminating the face of the man from the other train car. He was so close she could smell the musty tobacco on his breath, but his sudden appearance wasn’t the most disturbing thing about seeing him in the light.

He had no eyes.

In place of his eyes were two gaping holes, lidless.

His tobacco-stained hands reached out towards Catherine. “I do believe you have my package, young lady.”

Catherine screamed and dropped her lighter. She backed up, fumbling in the dark for the door handle. Once found, she jerked it to the side and fell back through the door into the passenger car. She scrambled to her feet and looked for someone who could help–but the car was empty. No businessmen tapped away at their laptops, no soccer moms read their cheesy romances, and, most notably, no children played.

She ran to the back of the car and tugged at the handle of the back door. Maybe they all went to the dining car. The door didn’t budge, and she cried out when a splinter stabbed her finger.

Wait…a splinter? She looked around and noticed that the car had changed in the few seconds she had been gone. No longer were there metal-framed plastic seats or fluorescent lights; now lanterns hung from the ceiling, and the seats looked more like wooden benches or church pews. The ride grew bumpy, and the sounds of the wheels on the tracks grew louder.

Standing in the doorway through which she had fallen was the eyeless man. He took slow, deliberate steps towards her. “My package, young lady. It is impolite to steal and open someone else’s property.”

“I-it’s got m-my name on it,” she stammered. “You’ve got the wrong package.”

He reached for the package, but Catherine jerked it out of his grasp. “It’s mine!

In the struggle, the paper on the package tore at one corner, and the flap on top bounced open. Catherine backed into the door and ripped the other flap free and looked inside the box.

What she saw inside made her blood run cold.

Inside was a still-beating human heart.

The man chuckled. “Well, well, I guess it was your package after all, sweet Catherine.”

“I n-never told you my name…”

“You didn’t need to, my dear. I would recognize you in any time, at any place. You are and will always be mine.”

She stood frozen in fear as his hand grabbed her chest. The force of his grip was strong, painful, and she looked down to see blood trickling from five finger-sized wounds in the center of her chest. He dug deeper, and she heard bone cracking as he ripped through to her heart. He pulled it out in one smooth motion and grinned.
“You don’t need this anymore, Catherine. I have your original heart right here.”

From the box he pulled the dismembered heart and shoved it into the gaping hole in her chest. She gasped for air. One gulp. Two gulps.

He squeezed, and the new heart inside Catherine began to pump. He drew his bloody hand out of her chest and placed it on her cheek. “How do you feel, my dear?”

She gazed into the voids where his eyes once sat. “I feel so much better now, Charles.” She straightened the bloody linen dress she now wore and adjusted her blood-stained while gloves. “How long has it been this time?”

“A hundred years, my love, since we last were together.”

Catherine nodded. “Well, Charles, shall we find your eyes now?”

When you need a vacation from your second job but your hobby has turned into a third job

Okay, so Pixabay didn’t exactly have an image with a woman in scrubs, a woman in casual clothes, and a woman in SCA garb all together. Let’s just pretend that’s what’s going on in the above picture.

This weekend, I decided to take a mini vacation from both my day job and my writing. I needed that small break (and besides, yesterday, if you remember, was my anniversary). The SCA event we went to was not as relaxing as I had hoped, though, and I’m getting back to that feeling of “obligation” moreso than “hobby” or “volunteering.” It was like okay, I agreed to do the thing so I’ll do the thing, but what I really wanted to do was spend the day with my husband.

It would have been okay, but he got busy with autocrat stuff (he’s co-hosting an event in a couple of months) and I got a rash from the grass at the site and ended up falling dead asleep in the car for a good solid hour courtesy of the Benadryl I took. I barely saw him all day, and for our anniversary dinner he invited a lot of people, so it wasn’t as intimate as I would have liked for our anniversary. In fact, he sat with his back slightly turned playing host to the friends at his side of the table for most of the meal.

I discussed with him afterwards, told him I would rather celebrate our anniversary in a more intimate setting, and I told him that, even though our SCA “anniversary” tends to fall on the same weekend as our wedding anniversary, I’d like to keep the two separate.

Next weekend we have another two events. The weekend after is technically free, but I’ll likely be doing the embroidery for my good friend’s elevation to the Order of the Pelican because, well, the elevation is the very next week.

I’ve also got embroidery to do for my belting to my soon-to-be Peer, a Laurel I both admire as an artisan and as a friend. There’s also an art exchange gift that I need to finish before my belting–both of which are due the week after the elevation. Then, when all that is caught up, I need to finish the embroidery project that I’ve been working on for the past four or five months for Their Majesties….who will no longer be ruling by the time I get finished but who have told me that my friend’s elevation project comes first.

So, long story long, I have ended up with a third job in the midst of all this. The SCA is becoming obligatory instead of just fun.

Don’t get me wrong; I like doing the embroidery. I like when people take note of and enjoy my work. But it IS work, so I have to once again force myself to slow down and reflect on my priorities.

  • Day job (gotta pay the bills)
  • Writing (which I hope will some day assist in the payment of the bills)
  • Sanity (yes, I do need to include this in my list)
  • SCA events and activities

I don’t want to stop altogether. I like my SCAdian friends and family… I just need more of a balance.

In pursuit of that goal, I picked some Fridays next month to sign up for the live stream Writer Imperfect, where I get to chat with other authors and answer questions about what little I know about the publishing world. I still have an event in May, but it’s just one event. Those three Fridays are for my writing career.

I’ll survive. I always do. But my survival hinges more and more on me standing up for my needs and voicing my concerns when I get overbooked. And speaking of booking, I should try to get some writing time in today….

Floodgates open? Well, there’s a trickle

Well, after a good solid month of being blocked, I’m back to writing. It’s still slow going, and the progress isn’t marked, but it is progress.

I’m starting to get more of the world in place, the situation–locally for my characters as well as globally–the timing…things are coming together. Or, well, for my characters they’re falling apart. Lol

I can’t say too much without getting spoilery, but I’m getting more confident in the direction Book 3 is going. It’s fleshing out, it’s developing, it’s coming to light. (Sounds silly for only having added about 1500-2k words this morning, but you’d be surprised how much can be conveyed–or inspired–by those few words.) I have more of a vision of what’s happening and what’s going to happen.

Of course, this means that my long work day in the surgery department will seem even longer, because I’ll be away from my laptop and unable to continue my momentum. My brain might end up being stuck in the distant future instead of being rooted firmly in the present. (Don’t worry–I don’t do anything more crucial than taking vital signs, giving drops, and maybe giving discharge instructions. Lol)

Adding to the time-taken-away-from-writing is my upcoming anniversary. Six years this Saturday! We’re going to get coordinating Gallifreyan tattoos once we have the extra funds saved up. It was my husband’s idea, but I fully endorse it.

Tomorrow I’ll start on the full-dose Vraylar, which means I’ll be taking it only three days a week (yay for a long half-life!) and hopefully seeing even more improvement in my stress levels. I handled yesterday’s work day well, and it seems even the days that are craptastic aren’t as bad as they normally would be. I tried to cut hours where I could, but it looks like I’ll be in OT again this week–which means I’ll probably be sent home early tomorrow. Darn. Guess I’ll have to write or something until my husband gets off work and we can leave for our weekend trip.

We’ll be going to an SCA event on Saturday, but Friday-Sunday we’ll be staying with his dad and stepmom, and Saturday after the event we’ll be having a nice dinner with friends at a delicious restaurant. The adult in me is looking forward to a beer; the kid in me is looking forward to FOOD!! Seriously, this place has the best chicken pot pie I’ve ever tasted.

Well, it’s getting to be That Time again. Time to leave for work, to leave my comfy abode and make the twenty-minute drive to employment.

The Train on the Right

This morning I was given a writing prompt by a fellow Twitter insomniac: Thriller, a train, and a notebook. Here’s what I came up with 🙂

A chill breeze blows through the open platform, and I’m glad I wore a coat. I come here often to people-watch, but today there are few travelers.

The sound of trains running by is drowned out by the music blaring in my headphones. I may want to watch the people, but I prefer not to interact with them. Observe and report, that’s my motto. Some of my best stories have come from being a fly on the platform, my hundred little eyes catching every little detail.

The breeze picks up, and I feel something brushing against my foot. I look down, and there’s a beat-up old spiral notebook under the bench, blown open by the fall winds. I don’t remember seeing a notebook there when I sat down, and no one had really walked by since to have dropped it. Curiosity wins over, and I pick it up.

It’s open to a page with two words scrawled in red: “Stand up.”

I grin and decide to play along. Someone has planned a romantic surprise for their significant other, perhaps, and left this notebook for them to find. Well, I think to myself, the SO is a no-show, so I’ll play the part for now. I stand and turn the page.

“Face north.”

Okay. North it is.

A train sits to either side of me, doors open for the passengers that come and go. No one’s really coming or going, and I find it odd that the doors have been open this long.

The next page has a ticket paper-clipped to it. Underneath the ticket are the words “Take the train on the right.”

Yes, sir. Or ma’am. The handwriting’s slanted, jagged, hurried. I decide the person orchestrating this is a male, based on nothing more than writerly instinct and what little I’ve learned about handwriting from bad investigative documentaries. Into the train on the right I go, ticket in hand.

The train is empty, save for a vagrant in the far corner, slumped against the wall, asleep. He’d be an interesting subject for a story, so I keep half an eye on him as I turn the page. “Sit in the last row, left-hand side, aisle seat.”

As soon as I’m seated the doors hiss shut, and the train jerks into motion. The vagrant’s sleep remains undisturbed despite the bumpy ride. I watch his head bob with the train’s movements over the tracks for a few moments, then I return to the notebook.

“Wait three stops.”

Boring, but I’m committed to the game by now, so I settle in and watch the vagrant. The train’s overhead speakers blare out the name of the next stop, but he snoozes right through. I’m impressed by his ability to sleep through the sounds and bumps and starts and stops. Never once does he jerk or twitch. So entranced am I that I almost miss my page turn.

“Stay seated. Wait for the doors to close again.”

This Romeo isn’t a very creative fellow. Where’s the purple prose, the poetry, the promises of wining and dining and true love? No wonder she didn’t show up.

The doors shut, and I flip the page. “Reach under your seat.”

What will it be? Flowers? Candy? A diamond ring? I’m intrigued, so I do as told.

I’m not prepared for my fingers to wrap around the handle of a knife taped under the seat.

The tape breaks as soon as I apply pressure on the handle, and I clench my hand to avoid dropping the knife and waking the vagrant. He’s a sound sleeper, but I don’t want him to wake up to a stranger brandishing a knife.

With a shaking hand, I turn the page. “Do not let go. Wait for the next stop.”

A thin sheen of sweat breaks out on my forehead, and the hairs on the back of my neck stand at attention. I am no longer under the impression that this is some romantic game to win the favor of an unrequited love, and with a knife in my hand and nowhere to go but another train car, I don’t quite know what to do. I’m afraid to pull the knife all the way out, afraid to look at it.

A sharp turn catches me by surprise, and I grip the seat to keep from losing my balance. The vagrant isn’t so lucky, and he falls to the floor with a sick thud.

He doesn’t wake up.

I get up and creep down the aisle, knife in hand temporarily forgotten. Why didn’t that fall wake him up?

I have to grab onto a rail as the train’s momentum slows, and the vagrant’s body slides a bit forward. I notice a bright red streak underneath him.

A couple more steps and I’m there. I squat down and reach for him, and the knife comes into view.

The knife is covered in blood.

Before I can think, the train’s doors slide open and a cadre of transit officers swarms the car, guns drawn and pointed at me.

I’m trying to stay calm, but I can’t stop shaking. I raise my arms over my head, bloody knife still in hand, and slowly gesture towards the back of the car. “It was the notebook,” I say. “I was just following the directions in the notebook.”

One officer in the back takes a few steps backward down the aisle, gun still trained on me. He takes his eyes off of me for a moment to search under the seats, then straightens and glares. “There’s no notebook here, pal. What kind of game are you playing with us?”

I look away from the barrels of the guns to peer down the aisle.

The floor of the train car is empty of trash, debris…and notebooks.

Inked again

Yep, it’s that time again! I decided to get a writerly tattoo, and after searching for months on Pinterest I found a design I loved. The catch? I didn’t want to use “household” funds to pay for it, so I funded this by selling autographed copies of Abnormal. Yep, a writing tattoo funded by my writing. (Plus, it helped shorten the stack of leftover books from Tucson Comic Con. Lol)

It’s not huge, it’s not elaborate, but it’s what I wanted and it’s great. The artist (Amanda Jimenez at Battleship Tattoo in Sierra Vista, AZ) had an amazingly light hand, so I almost fell asleep lying there…but I had a friend with me recording live for Twitter, so I stayed awake just to avoid snoring. Lol

This has really been a huge pick-me-up. I missed getting new tattoos (it’s been over a year since my last one), and just knowing that my writing was enough to cover a tattoo feels great.

The next tattoo isn’t that far off; hubby wants to get coordinating Gallifreyan tattoos done for our anniversary. He wants his name in Gallifreyan; I’ll get my name. I’m still trying to decide where to get mine; with 40+ tattoos of varying sizes compared to his one small one, I have considerably less available real estate for it. Because of the detail associated with the tattoo (lots of fine lines and circles) I need to get it relatively large, so I have to decide where I have left that’s large enough for it.

Author and Editor Relationship: Adversarial or Advantageous?

Some authors describe their stories as their “babies” or their “creations”…so what happens when the editor gets hold of said creation and decides it needs sweeping changes?

For many authors, the relationship with an editor can be a love-hate thing. They love getting feedback and learning new things about their writing, but they hate the need to make changes. There are authors who accept the changes with open arms, ready to polish their story to a gleaming shine. Other authors, however, see it as someone trying to gut their story–and who wants their baby gutted?

I’ve had my own experiences with editors, good and bad. The bad experiences were mostly my fault in that I wasn’t willing to make the changes necessary to make my work the best it could be. Do I have regrets about not making those changes? Yes, at times. There are times when I think, “Hmm, should I have done X like the editor wanted, or am I happy with how my original decision worked?” I have doubts to this day about not listening when maybe I should have.

Editors aren’t here to kill our babies. (Okay, so maybe some of them are–I don’t know all the editors out there, obviously.) They’re there to make our stories shine, to give them the best chance they have. They’re there to catch the mistakes that we’re too close to see, to look past the original vision to see where the story needs to go to grow and succeed. Editors are a good thing.

Some authors might disagree with me. They might have had some bad past experiences with editors, or they might think that they’re doing just fine as their own editor. Well, I’ve got some advice for those authors: You remember the adage about “A man who represents himself has a fool for a client” (credit to Abraham Lincoln, via the Internet)–well, the same could be said about the man who edits himself. Yes, we all need to do our due diligence in editing our stories as best we can before submitting to a publisher, but we also should do our best to find an editor who can give our stories the once-over (or twice- or thrice-over, if necessary) that they need. If an author chooses not to find an editor for their story, well, I have little sympathy.

Granted, there are those who simply can’t afford an editor. I was lucky to have a built-in editor in the form of my mom (who has had her own professional editing business in the past), who wouldn’t take payment from me for Whispers of Death. I was lucky to have a critique swap group on Facebook where I could send a few chapters at a time for critique, review, and yes, edits where necessary. But not everyone has these resources. Professional editing services can be expensive, and for the struggling writer it just might not be feasible to hire someone. And that’s okay, but be warned that your story might also not be as successful without that neutral pair of eyes to look over it and see what you’re too close to see.

As I await the first round of edits for Escape the Light, I try to keep this in the forefront of my mind. I don’t have to butt heads with my editors (although I love the editors at RhetAskew, so I don’t think I will). I don’t have to dig in my heels and refuse to budge on something they suggest changing. What I have to do is keep an open mind and try to learn from the experience. I have to be receptive to change and utilize those changes in the manner that best helps the story.

A Rare Lazy Weekend

River (pictured above) pretty much embodies my spirit animal last weekend in this picture. I slept quite a lot, and accomplished not much of anything.

Okay, so I got the last of the handwriting from Estrella transcribed. That’s something I accomplished. And I got the laundry done (but not put away). I was basically the noodle-cat in the picture, limp and lifeless.

I know that I kind of earned it, but I still feel a bit rotten for not getting more done. I hope to remedy that next weekend with more embroidery work finished. My timeline on that is ticking down, so I need to focus. Thankfully, I have only two halves of a hem to do to be totally finished. Just a little more…

Book 3 is, as all first drafts are, crap, but it’s got potential. I need to clean and beef it up, but that’s for later, when I have the draft finished. I’m still waiting on the edits from RhetAskew before I get too invested in the story I’m starting to tell there, because if they decide I need to change the ending of Escape the Light I’ll have some rewriting to do for Book 3…best not to get too committed to any one story right now, when I might have to make sweeping changes (learned my lesson the hard way on that one).

I need to bug my mom for the edits on my short story. Time’s ticking on that deadline, too, though I have a couple weeks still. I want to get it submitted ASAP though, because I am anxious to get it in the bag. I know, I know, “patience young Padawan”….I don’t wanna be patient. I wanna get as many coals in the fire as possible. (I’m pretty sure I’m mixing metaphors there, but you get my drift.)

My pen nib tattoo is scheduled for Wednesday after work. I’m really excited about it, especially since I’m funding it with autographed books that I’ve sold. It’s the perfect way to pay for a writing-themed tattoo, right? In case you need a reminder, here’s the image I’m going to get inked:

It’s going to go horizontally along my collar bone (and I’m not getting the little crown or whatever that is put on it).

The surgeon is back at work this week after nearly a week off, so I’m back to work as normal. I’m hoping that the new med continues to work well. I haven’t felt nearly as stressed since starting it, and I hope it’s not a fluke.

I suppose I should get to work on something right now. I have a few hours until I have to get ready for work, so I’ve got some play time, but better to jump into the next project so I can keep momentum going for the week.

The treatment is a success…or is it?

So it’s been almost a week since I started the new bipolar med, and it’s got mixed results. I mean, I’m not feeling the sky-high levels of stress and anxiety that I was feeling before, but at the same time…I’m not feeling as much of anything.

Stress levels are down–which is great–but my give-a-shit-o-meter has crashed. I just don’t care. Ten-hour day on my feet with a fifteen minute lunch? Eh. Forgot to get my lab work done before my appointment today? Whatever. Probably going to get yelled at by my rheumatologist for not taking the $2k-a-month medicine she prescribed? Shit, she yells at me all the time anyway. Like it’s my fault the RA isn’t under control–try prescribing something that doesn’t cost more than my mortgage, lady.

I even didn’t get that upset when I threw up my breakfast yesterday. It was like “Okay, this is happening. I’ll just hold off on eating anything else until I’m sure my stomach is settled.”

Don’t get me wrong; I’m extremely grateful that the stress and anxiety are almost completely gone. That part’s great. But I gotta admit, it concerns me a bit that I’m not, well, concerned. I’m just rolling through life, doing what I need to do. I’m pretty sure there’s going to be backlash on that at some point. Things can’t be this smooth without some bumps along the way.

Oh well. I’ll take the bumps as they come. I’m handling things much better now. I don’t get the all-consuming sense of being overwhelmed by what I have to do. My interest in my interests hasn’t 100% come back yet, but I’m getting there. Got a new short story in the works, got Book 3 moving along–at a snail’s pace, but it is moving–and I’ve got the embroidery that I’m slowly getting knocked out.

Speaking of which, I should probably work on that while it’s nice and quiet. I’ve got most of today to work on it, but there will be that 3-4 hour period where I’m off to my appointment where I can’t embroider. (I feel weird embroidering in the doctor’s office).

Very shortly

It’s funny how the little things can get you more anxious than the big things.

I’m talking about short stories versus novels. With my novels, I usually take more time to fine-tune them and make sure they’re publishing-ready. Short stories, though? Most of the time I just type ’em out, give ’em a once-over for typos and flow, then throw ’em up on this blog.

This time, though, I’m going to be submitting to my publisher for a place in their next anthology. The theme (legends) fits with a new set of characters in Escape the Light, so it’s the perfect opportunity to get the world of Abnormal out to a wider audience.

I’ve never submitted a short story for publication before. I’ve never gone through the editing and beta reading process, never spent more than a couple of hours on a short piece. Not that I don’t care how my short stories turn out, but it’s a different feeling when it’s for publication. I feel more pressure to do it “right.”

Am I worried? A little. But I’m taking the necessary steps to make my story as perfect as it can be. I’ve got a few more beta readers’ feedback to go through, and I want to get someone to do a proper edit on it.

I think it’ll do well. I think it’ll get published. But I’m still nervous about it.

Testing 1, 2, 3

It started with a plan. Well, part of a plan. Thirty percent of a plan.

You see, it was early in the morning–pre-dawn early–and I was bored. I didn’t want to work on embroidery and I didn’t want to transcribe what I’d handwritten at Estrella into the computer. So I did the next logical creative thing I could think of: I asked Twitter for a prompt.

I didn’t want just any prompt. I didn’t want to go to Pinterest and pick one, or Google “writing prompts” and see what came up. I didn’t want to pick and choose what I used to spread my creative wings; I wanted something 100% unexpected.

Twitter did not disappoint. Within the hour, I had an interesting prompt that sparked a full flash fiction piece, and the results were amazing. My Twitter impressions went from their usual couple hundred per active hour to over a thousand. I gained a few new followers, and I wrote something that people enjoyed. Win-win.

I got bored again this morning, and once again I asked the Twitterverse for a prompt. Again I received one, and again I wrote a story that was well-received.

I’m going to try it again soon–maybe not tomorrow, maybe not the next day, but soon, and I’ll maybe make it a weekly or semi-weekly thing. I like that I’m totally at the mercy of the #WritingCommunity followers on Twitter, and I have no clue what prompt will come my way. Will it be something that inspires horror? Action? Suspense? Romance? Who knows! That’s the fun!

My Editor-in-Chief slash mentor loves the idea, and she loves that I managed to get some new traction going on my own accord. Now I have to keep that momentum going. But will the third time be a charm, or will it flop?

Only time will tell. I can’t write every genre well. There are going to be times when people say “Meh.” But I can try, and I can do my best. That’s what matters in this test of my writing skills: what I can do with a first draft based off a prompt from a random stranger.